by Danielle Boesenberg | Sep 24, 2021 | Interviews Articles
By Ken Sallows ASE Sandringham, Victoria. Monday 16 August 2021Crawford Productions, my first employer in 1973, at the age of 17, produced many television shows. There was a formula to learn as an Assistant Editor on the 16mm. footage - "Start each scene with a wide...
by Danielle Boesenberg | Sep 24, 2021 | Interviews Articles
Working on Frans Vandenburg and Claude Gonzalez’s documentary 'John Farrow: Hollywood’s Man in the Shadows' reminded me how dedicated filmmakers need to be to capture the essence of their subject in their films. Over the past decade when Frans and Claude have been...
by Danielle Boesenberg | Sep 24, 2021 | Interviews Articles
By Ahmad Halimi 'Dive Club' is a 12-part series for Netflix and Network Ten. Shot entirely in North Queensland, the series has an incredible visual scale to it. However, with this scale comes the challenge of keeping the story focussed on our main characters, ensuring...
by Danielle Boesenberg | Aug 24, 2021 | Interviews Articles
The Australian Screen Editors recently partnered with Bus Stop Films to host an editing masterclass for their students. This was an initiative of the diversity sub-committee. The event took place on Thursday 19th August via Zoom. There was an incredible turnout of 35...
by Danielle Boesenberg | Jun 28, 2021 | Interviews Articles
AVID TITLES DON'T NEED TO BE TECHNICAL It’s no secret that many offline Editors chose to ignore titles in their offline edit given the difficulty (and speed) of the tools that some of the non-linear editing systems offer. Yes, it’s true that often you can get away...
by Danielle Boesenberg | May 4, 2021 | Interviews Articles
By Timothy Hadwen In this edition of ASE Newsletter Tech Tips, we’re taking a look at how to collect and navigate sound effect files. Most interestingly, Pro Sound Effects has launched a new software package for navigating these files: SoundQ. SoundQ is essentially a...
