by Gisela Dunikowski | Sep 24, 2021 | Interviews Articles
Working on Frans Vandenburg and Claude Gonzalez’s documentary ‘John Farrow: Hollywood’s Man in the Shadows’ reminded me how dedicated filmmakers need to be to capture the essence of their subject in their films. Over the past decade when Frans and Claude...
by Gisela Dunikowski | Sep 24, 2021 | Interviews Articles
By Ahmad Halimi ‘Dive Club’ is a 12-part series for Netflix and Network Ten. Shot entirely in North Queensland, the series has an incredible visual scale to it. However, with this scale comes the challenge of keeping the story focussed on our main...
by Gisela Dunikowski | Aug 24, 2021 | Interviews Articles
The Australian Screen Editors recently partnered with Bus Stop Films to host an editing masterclass for their students. This was an initiative of the diversity sub-committee. The event took place on Thursday 19th August via Zoom. There was an incredible turnout of 35...
by Gisela Dunikowski | Jun 28, 2021 | Interviews Articles
AVID TITLES DON’T NEED TO BE TECHNICAL It’s no secret that many offline Editors chose to ignore titles in their offline edit given the difficulty (and speed) of the tools that some of the non-linear editing systems offer. Yes, it’s true that often you can get...
by Gisela Dunikowski | May 4, 2021 | Interviews Articles
By Timothy Hadwen In this edition of ASE Newsletter Tech Tips, we’re taking a look at how to collect and navigate sound effect files. Most interestingly, Pro Sound Effects has launched a new software package for navigating these files: SoundQ. SoundQ is essentially a...
by Gisela Dunikowski | Mar 12, 2021 | events, Interviews Articles, news & events
By Antoinette Ford. THE AVID AWARD FOR BEST EDITING IN FEATURE DRAMA ANDY CANNY – ‘The Invisible Man’ – AMAZON PRIME THE BLUE POST AWARD FOR BEST EDITING IN DRAMA GEOFF LAMB – ‘The Commons’ – Episode 1 – STAN THE...
