WIFT ADVOCACY MEETING

WIFT ADVOCACY MEETING

In July WIFT and Dame Changer organised a get together of the various advocacy groups for women in television, and the guilds were also invited. The idea was to find out what everyone is doing and see where we can collaborate and perhaps combine events and share...
SHORT CUTS – ANNIE ZHANG

SHORT CUTS – ANNIE ZHANG

Interview with Assistant Editor and Animatic Editor Annie Zhang (With Jenny Kapp) Annie Zhang spoke to ASE about transitioning from finance into the film industry as an Assistant Editor, and shared her advice for others wanting to do the same. How did you get into...
MY ‘MASTERCHEF’ EXPERIENCE

MY ‘MASTERCHEF’ EXPERIENCE

By Joni Campbell The ASE has had contact recently with Bus Stop Films who run a film school for, and make films with, people with an intellectual disability and others from marginalised communities. They are coordinating the development of an Inclusive Filmmaking...
EDITING IN VARANASI

EDITING IN VARANASI

By Andrew Holmes Four months ago, I was handed a treatment on "Death Hotels of Varanasi, India". Considered the spiritual capital of India, Varanasi draws Hindu pilgrims who bathe in the Ganges River’s sacred waters and perform funeral rites. Dying in the holy city...
SHORT CUTS – KRYSTLE PENHALL

SHORT CUTS – KRYSTLE PENHALL

Interview with Editor and Assistant Editor Krystle Penhall (With Jenny Kapp.)   For the past nine years Krystle Penhall has worked as an Editor and Assistant film Editor across both live action and full CG television and features. She currently works as a VFX...
ACCREDITATION INFO

ACCREDITATION INFO

From eNews 90, February 2019 Over the years there has been some discussion regarding ASE Accreditation  - that it's too difficult to attain compared to other guilds … that it's only given to Editors reaching the end of their careers… Gaining accreditation is not easy....