by Screen Editors | Aug 10, 2014 | Interviews Articles
When I left Beijing in 1980, there were hardly any cars and the population had just hit nine million. Back then everyone had a bicycle and they came in any colour as long as it was black. There were very few restaurants and the range of food was very limited. Cut to...
by Screen Editors | Jun 10, 2014 | Interviews Articles
by DEBORAH PEART ASE The above line from the classic Cold Chisel song has come to ring in my head several times over the last 14 months since I made the switch from sitting to standing when I work. Many of you may have read about or have colleagues who have made “the...
by Screen Editors | Jun 10, 2014 | Interviews Articles
Editing and video content creation workflows are about to get easier, with major updates coming soon to the Adobe Creative Cloud video apps. ASE Gold Sponsor Adobe, Reveals Next Wave of Innovation for Creative Cloud Video Apps at NAB At the National Association of...
by Screen Editors | Mar 24, 2014 | Interviews Articles
How long did you have to edit the material down to the six girls in the documentary? 12 weeks How did you balance the different perils each girl faces so it didn’t feel less relevant than the others. Each girl’s story was intrinsically different & engaging, the...
by Screen Editors | Feb 2, 2014 | Interviews Articles
The structure of tension is important in episode 5 how did you build that in the edit? I really couldn’t tell you much about the structure of tension. The script was great and I cut it to the best of my ability. It is an intuitive process for me. Garth and I kept...
by Screen Editors | Jan 28, 2014 | Interviews Articles
Mrs Biggs was edited in the UK and Australia. How did you keep a cohesive style? Ben Lester, the English editor, began the edit in the UK as the shoot started there. When the crew relocated to Australia Ben sent to me the cut scenes to watch and they were tight and...
