INTERVIEWS & ARTICLES

EDITING LIFE IN THE COVID-19 WORLD

EDITING LIFE IN THE COVID-19 WORLD

The ASE asked some Members how they are faring during the shutdown - war stories, tips, observations, predictions, anything ASE Members would find interesting. Danielle Boesenberg Like so many others, I find myself out of work for the foreseeable future. The three...

INTERNATIONAL EXPERIENCE OF CORONAVIRUS

As the coronavirus began to have an impact on our country, I contacted the international community of Editors that I met last October in Cologne to get a feel for how things were affecting our (mostly) European colleagues. There were stories of festivals being...

EDITING ‘LOVE ON THE SPECTRUM’

By Simon Callow-Wright Take us through the process involved in editing 'LOTS'? My co-editor Rachel Grierson-Johns and I would start by assembling together scenes for a character. Once everything was assembled, we’d compile all these scenes together into a character...

FILM PLUS FESTIVAL

In late October I was lucky to be invited to a  Film Editing Festival in Cologne called Film Plus which celebrates the art and craft of film editing. The festival is primarily for a German audience, but attached to the festival is an International Film Editors Forum...

‘JILL BILCOCK: DANCING THE INVISIBLE’ SCREENING (Write-up)

In October, on the way to an International Film Editors Forum in Cologne, I stopped by in LA to attend the West Coast Premiere of our very own Axel Grigor’s film about the acclaimed Aussie Editor Jill Bilcock ASE, ACE at the Harmony Gold Cinema. The screening was...

ASSISTANT EDITOR VERSUS EDIT ASSISTANT

ASSISTANT EDITOR VERSUS EDIT ASSISTANT

What is the difference between an Assistant Editor and an Edit Assistant? The ASE recently put a call-out on Facebook to try and answer this question you didn’t know you needed answered. After a number of responses this is what we have been told so far: The Edit...

MY ‘MASTERCHEF’ EXPERIENCE

By Joni Campbell The ASE has had contact recently with Bus Stop Films who run a film school for, and make films with, people with an intellectual disability and others from marginalised communities. They are coordinating the development of an Inclusive Filmmaking...

SHORT CUTS – ANNIE ZHANG

Interview with Assistant Editor and Animatic Editor Annie Zhang (With Jenny Kapp) Annie Zhang spoke to ASE about transitioning from finance into the film industry as an Assistant Editor, and shared her advice for others wanting to do the same. How did you get into...

WIFT ADVOCACY MEETING

In July WIFT and Dame Changer organised a get together of the various advocacy groups for women in television, and the guilds were also invited. The idea was to find out what everyone is doing and see where we can collaborate and perhaps combine events and share...

EDITING IN VARANASI

By Andrew Holmes Four months ago, I was handed a treatment on "Death Hotels of Varanasi, India". Considered the spiritual capital of India, Varanasi draws Hindu pilgrims who bathe in the Ganges River’s sacred waters and perform funeral rites. Dying in the holy city...

SHORT CUTS – KRYSTLE PENHALL

Interview with Editor and Assistant Editor Krystle Penhall (With Jenny Kapp.)   For the past nine years Krystle Penhall has worked as an Editor and Assistant film Editor across both live action and full CG television and features. She currently works as a VFX...

ACCREDITATION INFO

ACCREDITATION INFO

From eNews 90, February 2019 Over the years there has been some discussion regarding ASE Accreditation  - that it's too difficult to attain compared to other guilds … that it's only given to Editors reaching the end of their careers… Gaining accreditation is not easy....