Member Profile

I began my film editing career in France in 1995, where I spent 12 years learning the craft as an
assistant to some of France's most distinguished editors, working on independent films d'auteur,
studio films, documentaries & feature trailers. During my time there, I collaborated on films such as
Pierre Salvadori’s Après Vous & …Comme Elle Respire (White Lies), Michel Blanc's Mauvaise
Passe (The Escort) & John Malkovich's The Dancer Upstairs.
Returning to Australia in 2005, I continued cutting at prestigious edit houses Guillotine & Method
Studios in Sydney.
At the start of 2014, wanting to create a working environment where the art & craft of editing was
repositioned at the centre of my practice, I opened my own independent shop, One Egg Is
Enough Editorial.
In 2019 I was awarded the prestigious Australian Screen Editors Accreditation in recognition of
excellence in screen editing & outstanding contribution to Australian screen culture. I am also a
proud member of the Australian Society of Cinema Pioneers & an International Partner of the
American Cinema Editors.
In addition to my achievements in feature film, I have been an active participant in international
film education and industry exchange. I have delivered masterclasses on film editing at the
Melbourne International Film Festival (2015) and at the Edimotion Film Editing Festival in
Cologne, Germany (2024), where The Nightingale featured at a headline screening. In 2025, I
contributed as a panel member for the Tempo Global Perspectives Panel organised by the
American Cinema Editors.
Credited feature titles include:
• The Babadook Dir Jennifer Kent, Winner Best Film AACTA 2015, Best Editing Film Critic’s
Circle of Australia 2015.
• Spear Dir Stephen Page, Winner APSA Special Mention UNESCO Award, 2015
• Bad Girl Dir Fin Edquist, 2016
• The Nightingale Dir Jennifer Kent, Venice International Film Festival Special Jury Prize 2018
• Martha: A Picture Story Dir Selina Miles, Nominated Best Editing in a Documentary Feature,
Australian Screen Editors, 2019; TriBeCa Film Festival, NYC 2019; Winner Audience Prize for Best
Documentary, Sydney Film Festival 2019; The Age Film Critics Prize, Melbourne International Film
Festival, 2019.
• Sweet River Dir Justin MacMillan
• River Dir Jennifer Peedom, Nominated Best Editing in a Documentary Feature, Australian
Screen Editors, 2022; Nominated Best Editing in a Documentary Feature, AACTA Awards
2022; Winner Best International Feature, Florida Film Festival 2022
• The Stranger Dir, Thomas Wright, Official Selection Un Certain Regard, Cannes
International Film Festival 2022, Nominated Best Editing in a Feature Film, Australian Screen
Editors, 2022; Nominated Best Editing in a Feature Film, AACTA Awards 2022.
• The Moogai Dir John Bell, 2023, Produced by Causeway Films
• Runt Dir, John Sheedy, 2024
• The Plague Dir Charlie Polinger, Official Selection Un Certain Regard, Cannes International Film
Festival 2025; Winner Jury Prize & Prix de la Critique Festival Of American Cinema, Deauville
2025; Best Film Editing, Woodstock Film Festival 2025.
• Tenzing Dir Jennifer Peedom, 2026 Produced by See Saw Films in collaboration with Apple
Studios. Release set for late 2026.
• Fangs Dir Lucy McKendrick, 2026, Produced by Truant Films, currently in Post production