by Screen Editors | Dec 9, 2013 | Interviews Articles
Cameras In Post: Canon; Black Magic Cinema Camera (BMCC); 5D; GoPro; Panasonic, etc. are all cameras that we come across in the Editorial. This is not a new phenomenon, but I feel every time I turn around there is a DOP playing with a new camera. Occasionally we’re...
by Screen Editors | Oct 20, 2013 | Interviews Articles
In a nutshell, what is/are The Editors? The Editors are a collective of talented editors and people with a passion for the art and craft of filmmaking, with a particular interest in the post production of short story media or in other words commercials. The Editors...
by Screen Editors | Sep 8, 2013 | Interviews Articles
We got in touch this month with long standing ASE sponsor DDP Studios (formally Digital Pictures) and asked them about their unique approach to post production and some of the big issues in the industry. We are here because we love great stories & we're passionate...
by Screen Editors | Aug 11, 2013 | Interviews Articles
More than six years ago ASE member John Buck began researching the story behind Avid, and ultimately decided to document the full history of editing and editors back to the late 1800s. The work became a text only book, split into two parts that was sold on Amazon and...
by Screen Editors | Aug 11, 2013 | Interviews Articles
A Sunday morning may not have seemed the most appropriate time to screen the controversial film In the Cut . But a respectable (and not so respectable) crowd turned up at Sydney’s Chauvel Cinema on 23 November for the ASE screening, then adjourned upstairs to pry into...
by Screen Editors | Aug 11, 2013 | Interviews Articles
Squaring Up to Ken Sallows by Trevor Holcomb, 2003 Ken Sallows ASE, recent winner of the IF award for Best Editing for Gettin’ Square, is back home in Melbourne before embarking on another feature film in January. He talks here with Trevor Holcomb (ASE Vic Committee)...
